As a soccer star back in the day, Eugenio used to be known as “The Gazelle” for his speed and dexterity in the field. He retired young, unable to score a trophy. Now 72 and living in a retirement home, Eugenio is determined to win a dance contest with the help of his partner Carmen and his openly gay instructor Daniel.

In this tense, timely, and poignant drama, Yakup, a beloved music teacher and Turkish dissident, has fled his country for fear of political persecution and is seeking asylum in the U.S. While working in the kitchen of a New York City restaurant, he struggles desperately to find a way to bring his wife and daughter into the country to live with him. Finding legal immigration channels a dead end, he reluctantly engages with a dodgy smuggler, a decision that only intensifies his concern for his family’s safety, sending the kindly Yakup into a downward spiral. First-time feature filmmakers Nadir Sarıbacak (known for his role in Nuri Bilge Ceylan’s Winter Sleep) and Samy Pioneer deftly capture the details of Turkish American and migrant life in the big city, while also expressively conveying their protagonist’s troubled state of mind. Gazelle isn’t just an urgent tale about our immigration crisis—it’s a touching story about displacement and its deep psychological and physical toll.

Paulo is a 45-year-old Brazilian flight attendant. He is internationally famous in the after-hours world for the fabulous persona he has worked tirelessly to create, his artistic alter-ego, Gazelle. Paulo is HIV+ but never got sick before and now he sees his own life is in danger for the first time. With the sudden and tragic sad death of Eric, his partner of seven years, Paulo must pass through a life transformation. Looking to survive, he embarks on a conscious transformation, beginning with filtering what matters in his life. On his path, besides the new lover, he finds collaborators that push him forward in life and show more meanings for the word Love.

Bert Raccoon is having a music video party and everyone is invited. Though Cyril is trying to get some sleep in the process.

German version of Dancing with the Stars, the reality competition in which celebrities perform choreographed dance routines which are judged by a panel of renowned ballroom experts and voted on by viewers.

A couple performs the Ruffian's Dance.

Justin Peck, the New York City Ballet's resident choreographer, created a series of dances for 2018's best actors. The scenarios put everyday characters in familiar situations: packed into a subway car, stuck in a doctor's office, caught in downpour. But once they start moving, the actors turn our common experiences into welcome moments of enchantment.

When Daantje was a withdrawn child, her mother told him that somewhere there was a girl waiting for him who danced beautifully. As an adult, Daantje is a lonely homeless person who happens to meet the former ballerina, Natasha. At first, the woman does not pay much attention to Daantje – the young man is a bit strange. Besides, Natasha has emotional hardships in her relationships. Then an event occurs that makes her want to return to her homeland immediately. Daantje goes with her.

In an historic final interview, filmmaker and music promoter Aaron Russo goes in depth on the insider-knowledge given to him by a member of the Rockefeller family. Russo was told– prior to 9/11– of plans to stage terror attacks, invade foreign nations, and kickstart a high-tech police state control grid that would track the populations’ every move with implantable RFID microchips. This information-packed presentation is filled with never-before seen footage. Throughout the film, Alex Jones breaks down the latest activities of the New World Order and how it ties into what Russo predicted.

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